{"id":25031,"date":"2020-05-12T10:24:36","date_gmt":"2020-05-12T09:24:36","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/hitting-my-head-on-the-world\/"},"modified":"2020-05-29T12:39:06","modified_gmt":"2020-05-29T11:39:06","slug":"hitting-my-head-on-the-world","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/hitting-my-head-on-the-world\/","title":{"rendered":"Hitting my head on the world"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.1″]<\/p>\n

> Panor\u00e1mica\u00a0<\/a><\/p>\n

[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2020\/05\/hitting.jpg” _builder_version=”4.4.1″][\/et_pb_image][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-40px||false|false”][\/et_pb_divider][et_pb_button button_url=”https:\/\/www.filmin.es\/corto\/hitting-my-head-on-the-world” url_new_window=”on” button_text=”Ver en Filmin” button_alignment=”center” admin_label=”Button” _builder_version=”4.4.1″ button_rel=”off|off|on|off|off” locked=”off”][\/et_pb_button][et_pb_video _builder_version=”4.4.1″ src=”https:\/\/vimeo.com\/422701821″ hover_enabled=”0″][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.4.1″ use_border_color=”off”]<\/p>\n

Hitting my Head on the World<\/em><\/strong><\/h4>\n
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Anna Vasof<\/a>, Austria, 2019. 13\u2019. VOSE.<\/p>\n

La barrera de la lengua desconocida se convierte uno de los retos principales cuando viajamos. La gesticulaci\u00f3n y los movimientos del cuerpo pueden ayudar a satisfacer el deseo de comunicaci\u00f3n o pueden comportar malentendidos. Anna Vasof viaja por varias ciudades del mundo, emplea su cuerpo como instrumento y su cabeza a modo de tambor: Vasof se pasea por el mundo d\u00e1ndose golpes en la cabeza, transformando las ciudades en cajas de resonancia e interviniendo en el paisaje sonoro de manera ir\u00f3nica y contundente.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider color=”#95fffb” _builder_version=”4.4.1″ custom_margin=”-7px||-15px|”][\/et_pb_divider][et_pb_text _builder_version=”4.4.1″ use_border_color=”off”]<\/p>\n

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Festivales <\/strong>(selecci\u00f3n):
<\/strong>Wien \u2013 VIS Vienna Shorts
Internationales Frauenfilmfest Dortmund \/ K\u00f6ln
Poznan \u2013 Shorts Waves Festival<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_testimonial author=”Brigitte Felderer, escritora y cr\u00edtica de arte” _builder_version=”4.4.1″]<\/p>\n

El t\u00edtulo predice de manera fiable lo que suceder\u00e1: la artista golpea su cabeza contra elementos de las ciudades donde viaja y siempre consigue su objetivo. Lo hace totalmente seria. Entra en escena y toca la ciudad. No expone ninguna verg\u00fcenza secreta, no hay ning\u00fan truco voyeur\u00edstico. Eso s\u00ed: la c\u00e1mara no nos muestra el mundo tal y como es. Vasof nos recuerda con cada golpe una verdad contundente, a saber, que solamente conocemos las cosas a trav\u00e9s de nuestros sentidos.<\/div>\n
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[\/et_pb_testimonial][et_pb_testimonial author=”Comentario de la directora” _builder_version=”4.4.1″]<\/p>\n

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Darse golpes en la cabeza contra la pared es un gesto que se entiende en todo el mundo. Las personas desesperadas que no saben qu\u00e9 hacer pueden darse golpes en la cabeza contra la pared. Est\u00e1 claro que esto no siempre es literal, a menudo es una met\u00e1fora de sentimientos de frustraci\u00f3n. Pero si observamos este movimiento como instrumento, una acci\u00f3n desesperada se transforma en una repetici\u00f3n absurda. En las composiciones, mi cabeza es tocada como un instrumento en m\u00faltiples y contradictorias localizaciones, lo cual crea un paisaje urbano y audiovisual del mundo.<\/p>\n<\/div>\n

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[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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