{"id":25470,"date":"2020-05-13T11:04:04","date_gmt":"2020-05-13T10:04:04","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/nuestra-voz-tierra-memoria-futuro\/"},"modified":"2020-05-14T17:35:04","modified_gmt":"2020-05-14T16:35:04","slug":"nuestra-voz-tierra-memoria-futuro","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/nuestra-voz-tierra-memoria-futuro\/","title":{"rendered":"Nuestra voz de tierra, memoria y futuro"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.1″]<\/p>\n

> Pionera del documental latinoamericano: Marta Rodri\u0301guez<\/a><\/p>\n

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[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”3.20.2″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2020\/03\/el-diablo.jpg” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.4.1″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off”][\/et_pb_image][et_pb_button button_url=”https:\/\/www.filmin.es\/pelicula\/nuestra-voz-de-tierra-memoria-y-futuro” url_new_window=”on” button_text=”Ver en Filmin” button_alignment=”center” admin_label=”Button” _builder_version=”4.4.1″ button_rel=”off|off|on|off|off” locked=”off”][\/et_pb_button][et_pb_video src=”https:\/\/vimeo.com\/316591035″ _builder_version=”4.4.1″][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.1″ use_border_color=”off”]<\/p>\n

Nuestra voz de tierra, memoria y futuro\u00a0<\/strong><\/em><\/h4>\n
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Marta Rodri\u0301guez<\/a> y Jorge Silva<\/a>, Colombia, 1974 – 1982. 90\u2019.
Copia restaurada por el Arsenal Institut f\u00fcr film und videokunst (Berl\u00edn).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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En palabras de Marta Rodr\u00edguez la pel\u00edcula intenta \u201cuna aleaci\u00f3n entre dos t\u00e9rminos arbitrariamente asumidos como dis\u00edmiles: el registro documental y la puesta en escena. Cinco a\u00f1os en la experiencia de un grupo ind\u00edgena para desvelar desde dentro la complejidad de un proceso que va de la sumisi\u00f3n a la organizaci\u00f3n\u201d.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider _builder_version=”3.20.2″ custom_margin=”-7px||-15px|”][\/et_pb_divider][et_pb_text _builder_version=”4.4.1″ hover_enabled=”0″ use_border_color=”off”]<\/p>\n

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Festivales <\/strong>(selecci\u00f3n):
1982 “Premio Ocic” Festival Internacional de Cine de Berl\u00edn (Alemania)
“Premio Fiprecsi” de la Federaci\u00f3n Internacional de Cr\u00edtica de Berl\u00edn (Alemania)
“Premio a la mejor direcci\u00f3n de largometraje colombiano” premio de Focine, Cartagena (Colombia)
“Premio a la mejor fotograf\u00eda” concedido a Jorge Silva en la Mostra Iberoamericana Cartagena (Colombia)
“Mejor expressi\u00f3n de valores humanos” Teatro de C\u00e1mara, Cartagena (Colombia)
“Mejor film latinoamericano” Festival Iberoamericano de Huelva (Espa\u00f1a)
1985 “Premio a la mejor realizaci\u00f3n latinoamericana” Primer Festival de Cine de los Pueblos Ind\u00edgenas (M\u00e9xico)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_testimonial author=”Comentario de la directora” _builder_version=”4.4.1″]<\/p>\n

Los ind\u00edgenas han luchado y luchan hoy por la recuperaci\u00f3n de sus tierras porque, seg\u00fan su propia voz, al recuperar la tierra el ind\u00edgena comienza un proceso de recuperaci\u00f3n cultural, un proceso de recuperaci\u00f3n “cr\u00edtica” de su pasado y de su historia. La pel\u00edcula hace \u00e9nfasis en la significaci\u00f3n de este momento del proceso, en lo que significa para ellos “ver pol\u00edticamente el pasado y pensar hist\u00f3ricamente en el presente”. Una propuesta de cine cultural y de asumir art\u00edsticamente el contexto dentro del cual es producido. Es una pel\u00edcula concentrada b\u00e1sicamente en los procesos de pensamiento, que intenta acercarse al subconsciente de una cultura ind\u00edgena andina, con la dial\u00e9ctica con la que interact\u00faan al interior de una realidad: diablos y se\u00f1ores feudales o terratenientes, siervos y due\u00f1os, an\u00e1lisis y poes\u00eda, organizaci\u00f3n y magia, mito e ideolog\u00eda.<\/p>\n

[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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