{"id":31581,"date":"2020-02-25T12:50:56","date_gmt":"2020-02-25T11:50:56","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/margaret-tait\/"},"modified":"2021-01-26T10:38:32","modified_gmt":"2021-01-26T09:38:32","slug":"margaret-tait","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/margaret-tait\/","title":{"rendered":"Margaret Tait"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2015\/09\/margaret-tait-recortada.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.0.10″ always_center_on_mobile=”on”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

Margaret Tait<\/h4>\n
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Artista independiente, trabaj\u00f3 en el cine de vanguardia, el arte y la poes\u00eda. Con su pel\u00edcula Blue Black<\/em> Permanent<\/em> (1992) fue la primera mujer escocesa en dirigir un largometraje.<\/p>\n

Nacida en Kirkwall, en las Islas Orcadas, estudi\u00f3 medicina en la Universidad de Edimburgo i se fue a la India, Sri Lanka y la pen\u00ednsula malaya durante la Segunda Guerra Mundial. Despu\u00e9s de la guerra volvi\u00f3 a Gran Breta\u00f1a y se financi\u00f3 su pr\u00e1ctica art\u00edstica a trav\u00e9s de su trabajo como doctora.<\/p>\n

En 1950, Tait estudi\u00f3 cine en el Centro Sperimentale di Fotografia de Roma. Mientras era testigo del uso innovador que el movimiento neorrealista hac\u00eda de escenarios reales, Tait desarroll\u00f3 su propio estilo de filmaci\u00f3n inflida por el cine po\u00e9tico de Jean Vigo. Adem\u00e1s, revolucion\u00f3 el dise\u00f1o de cr\u00e9ditos cinematogr\u00e1ficos, utilizando papel cortado, dibujos y letras de pl\u00e1stico.<\/p>\n

A su regreso en Escocia en 1952, Tait empez\u00f3 a escribir poemas, inspirada por Lawrence, Lorca, Rimbaud, Rilke, Emily Dickinson o Hugh MacDiarmid. En 1954 estableci\u00f3 su propia compa\u00f1\u00eda de producci\u00f3n, Ancona Films. Entabl\u00f3 amistad con integrantes del colectivo de poetas Rose Street como MacDiarmid, con quien realiz\u00f3 una pel\u00edcula.<\/p>\n

Decidida a desarrollar su estilo de manera independiente, autofinanci\u00f3 pr\u00e1cticamente toda su obra.<\/p>\n

> Monogr\u00e1fico: Margaret Tait<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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