{"id":33599,"date":"2021-05-06T10:07:53","date_gmt":"2021-05-06T09:07:53","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/sarah-and-son\/"},"modified":"2021-05-27T09:25:37","modified_gmt":"2021-05-27T08:25:37","slug":"sarah-and-son","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/sarah-and-son\/","title":{"rendered":"Sarah and Son"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″]<\/p>\n

> Dorothy Arzner, una mujer en la f\u00e1brica de sue\u00f1os<\/a><\/p>\n

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[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2021\/05\/WEBSARASON-1.jpg” title_text=”WEBSARASON” _builder_version=”4.8.1″][\/et_pb_image][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-40px||false|false”][\/et_pb_divider][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ hover_enabled=”0″ use_border_color=”off” sticky_enabled=”0″]<\/p>\n

Sarah and Son\u00a0(<\/strong><\/em>Sarah y su hijo<\/i>)<\/em><\/strong><\/h4>\n
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Dorothy Arzner<\/a>, 1930. Int.: Ruth Chatterton, Fredric March, Fuller Mellish Jr., Gilbert Emery, Doris Lloyd, William Stack, Philipe de Lacy. EEUU. VOSC. 86′<\/p>\n

Despu\u00e9s de sufrir la muerte de una hermana, una inmigrante alemana con talento para el canto y el baile se casa con un canalla que acaba vendiendo el hijo que tienen en com\u00fan a una familia rica. Cuando, pasado un tiempo, lo reclama a la familia adoptiva, \u00e9sta la amenaza con hacer que la cierren en un psiqui\u00e1trico. \u201cUna historia sobrecogedora sobre el amor maternal que recibi\u00f3 alabanzas de la cr\u00edtica por \u2018situarse m\u00e1s all\u00e1 de la f\u00f3rmula del melodrama\u2019 y por \u2018dotar los conceptos de mujer directora<\/i> y pel\u00edcula para mujeres<\/i> de un matiz particular\u2019 (Judith Mayne).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider color=”#95fffb” _builder_version=”4.4.1″ custom_margin=”-7px||-15px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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