{"id":33609,"date":"2021-05-06T10:11:41","date_gmt":"2021-05-06T09:11:41","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/anybodys-woman\/"},"modified":"2021-05-27T09:27:21","modified_gmt":"2021-05-27T08:27:21","slug":"anybodys-woman","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/anybodys-woman\/","title":{"rendered":"Anybodys Woman"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″]<\/p>\n

> Dorothy Arzner, una mujer en la f\u00e1brica de sue\u00f1os<\/a><\/p>\n

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[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2021\/05\/WEBANYBODIESWOMAN-1.jpg” title_text=”WEBANYBODIESWOMAN” _builder_version=”4.8.1″][\/et_pb_image][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-40px||false|false”][\/et_pb_divider][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ hover_enabled=”0″ use_border_color=”off” sticky_enabled=”0″]<\/p>\n

Anybody’s Woman <\/em>(<\/em>La mujer de nadie)<\/span><\/i><\/strong><\/h4>\n
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Dorothy Arzner<\/a>, 1930. Int.: Ruth Chatterton, Clive Brook, Paul Lukas, Huntley Gordon, Virginia Hammond. EEUU. VOSC. 80′<\/p>\n

Un abogado con el coraz\u00f3n roto por el abandono de su esposa recorre al alcohol como v\u00eda de escape. Una noche coincide con una corista de esp\u00edritu alegre y, el d\u00eda siguiente, en plena resaca, descubre que se han casado. Resignado con la situaci\u00f3n, decide compartir la vida con ella. \u201cArzner film\u00f3 mejor que nadie las borracheras y los borrachos, sin moralismos, casi con delicadeza (y respeto y aceptaci\u00f3n): la borrachera como escape, para\u00edso artificial, evasi\u00f3n y escasa victoria, pero sin juicios de valor\u201d (Quim Casas).<\/p>\n

Sesi\u00f3n gratuita. Entradas disponibles s\u00f3lo en taquilla, m\u00e1ximo dos por persona.<\/b><\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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