{"id":33622,"date":"2021-05-06T10:25:43","date_gmt":"2021-05-06T09:25:43","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/the-bride-wore-red\/"},"modified":"2021-05-27T09:29:19","modified_gmt":"2021-05-27T08:29:19","slug":"the-bride-wore-red","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/the-bride-wore-red\/","title":{"rendered":"The Bride Wore Red"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″]<\/p>\n

> Dorothy Arzner, una mujer en la f\u00e1brica de sue\u00f1os<\/a><\/p>\n

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[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2021\/05\/WEBBRIDEWORERED-1.jpg” title_text=”WEBBRIDEWORERED” _builder_version=”4.8.1″][\/et_pb_image][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-40px||false|false”][\/et_pb_divider][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ hover_enabled=”0″ use_border_color=”off” sticky_enabled=”0″]<\/p>\n

The Bride Wore Red<\/em>\u00a0(La novia iba de rojo)<\/em><\/strong><\/h4>\n
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Dorothy Arzner<\/a>, 1937. Int.: Joan Crawford, Franchot Tone, Robert Young, Billie Burke, Reginald Owen. EEUU. VOSC. 103′<\/p>\n

Dos hombres de clase alta discuten si la apariencia puede determinar la posici\u00f3n social o no. Uno de ellos, para demostrar su teor\u00eda, paga a una cantinera para que se haga pasar por una arist\u00f3crata en un hotel de lujo. \u201cThe Bride Wore Red<\/i> se centra en la importancia del vestuario y la interpretaci\u00f3n en cualquier concepci\u00f3n de la identidad femenina y, en consecuencia, la concepci\u00f3n del trabajo en este film incluye los \u00e1mbitos de la moda y al representaci\u00f3n. El film enfatiza el hecho de hasta qu\u00e9 punto la identidad \u2013de g\u00e9nero y de clase\u2013 de las mujeres depende de la interpretaci\u00f3n. I la clase social de las mujeres tambi\u00e9n determina el tipo de comportamiento de g\u00e9nero que se espera de ellas\u201d (Judity Mayne). Fue el \u00faltimo de los siete films que interpret\u00f3 el matrimonio formado por Joan Crawford y Franchot Tone.<\/p>\n

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[\/et_pb_text][et_pb_divider color=”#95fffb” _builder_version=”4.4.1″ custom_margin=”-7px||-15px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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