{"id":36929,"date":"2021-10-15T11:21:08","date_gmt":"2021-10-15T10:21:08","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/otolith-i\/"},"modified":"2021-11-02T12:34:19","modified_gmt":"2021-11-02T11:34:19","slug":"otolith-i","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/otolith-i\/","title":{"rendered":"Otolith I"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

> Manifiestos F\u00edlmicos Feministas VII<\/a><\/p>\n

[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2021\/10\/Otolith-15-HORITZONTAL.jpg” title_text=”Otolith 15 HORITZONTAL” _builder_version=”4.8.1″ _module_preset=”default”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

Otolith I<\/strong><\/em><\/h4>\n
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The Otolith Group<\/a>, Reino Unido, 2003, 23\u2019<\/p>\n

Ottolith I<\/em> enlaza tres momentos hist\u00f3ricos: un posible futuro mutante en el siglo XXII, el estado de miedo a principios del siglo XXI y la era postindependencia de mediados del siglo XX. Una voz en off se dirige al p\u00fablico desde un futuro peligroso que sit\u00faa el presente como una ruina hist\u00f3rica. Esta estrategia permite a la doctora Usha Adebaran Sagar, una narradora ficticia que reside en un estado permanente de ingravidez, especular sobre la evoluci\u00f3n del g\u00e9nero humano mediante un an\u00e1lisis de los archivos de sus antepasados femeninos: la investigadora Anjalika Sagar, del siglo XXI, y la se\u00f1ora Anasuya Gyan Chand, abuela de Anjalika y feminista hind\u00fa del siglo XX.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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