{"id":41399,"date":"2022-05-17T14:49:24","date_gmt":"2022-05-17T13:49:24","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/?post_type=project&p=41399"},"modified":"2022-06-10T12:42:11","modified_gmt":"2022-06-10T11:42:11","slug":"terra-femme","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/terra-femme\/","title":{"rendered":"Terra Femme"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ locked=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″]<\/p>\n

> Panor\u00e1mica 2022<\/a><\/p>\n

[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=NGGsvnbVdUE&ab_channel=MostraFilmsdeDones” admin_label=”V\u00eddeo” _builder_version=”4.8.1″ _module_preset=”default”][\/et_pb_video][et_pb_video src=”https:\/\/vimeo.com\/715920827″ admin_label=”V\u00eddeo” _builder_version=”4.8.1″ _module_preset=”default”][\/et_pb_video][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2022\/05\/Terra-Femme-Film-Horitzontal.jpg” title_text=”Terra Femme Film Horitzontal” _builder_version=”4.8.1″ _module_preset=”default” width=”100%”][\/et_pb_image][et_pb_text _builder_version=”4.8.1″ _module_preset=”default”]Contacto: nevena@lightdox.com
\n[\/et_pb_text][et_pb_testimonial author=”Richard Brody” company_name=”New Yorker” url=”https:\/\/www.newyorker.com\/goings-on-about-town\/movies\/terra-femme” url_new_window=”on” _builder_version=”4.8.1″ link_option_url=”https:\/\/www.newyorker.com\/goings-on-about-town\/movies\/terra-femme” link_option_url_new_window=”on”]<\/p>\n

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Stephens acompa\u00f1a su montaje introspectivo con un mon\u00f3logo profundamente buscado, enlazando las vivencias de las directoras con reflexiones y an\u00e9cdotas sobre su experiencia a la hora de crear un film sobre sus viajes. Mostrando la amplia variedad de pr\u00e1cticas cinematogr\u00e1ficas y puntos de vista de estas directoras, intenta responder a la pregunta siempre presente de si existe una cosa como \u2018la mirada femenina\u2019.<\/p>\n<\/div>\n

[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

Terra Femme<\/strong><\/em><\/h4>\n
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Courtney Stephens<\/a>, EE. UU., 2021, 63\u2019, VOSE.<\/p>\n

Ensayo f\u00edlmico sobre las cinematograf\u00edas amateurs femeninas de viajes de principios del siglo XX. Desde la narraci\u00f3n en primera persona, la pel\u00edcula observa estas cintas como documentos \u00edntimos y, a la vez, como etnograf\u00edas colectivas, y dibuja un nuevo tipo de viajante generador de im\u00e1genes y de relatos: las mujeres cient\u00edficas, las mujeres turistas, las mujeres occidentales. As\u00ed, Courtney Stephens conjuga diferentes tiempos dentro de su narraci\u00f3n, conecta las miradas de estas cineastas con las miradas de otras que trabajan desde la actualidad, y plantea cuestiones sobre qu\u00e9 significa y desde d\u00f3nde se gesta una supuesta mirada femenina.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider color=”#d43d36″ _builder_version=”4.8.1″ custom_margin=”-7px||-15px|”][\/et_pb_divider][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

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Festivales (selecci\u00f3n)
\n<\/strong>IDFA – Amsterdam International Documentary Film Festival (Pa\u00edses Bajos, 2021)
\nSIFF – Seoul International Women\u2019s Film Festival (Corea del Sud, 2021)
\nFestival Internacional de Cine UNAM (M\u00e9xico, 2022)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_testimonial author=”Courtney Stephens” url=”https:\/\/www.youtube.com\/watch?v=_8-l_3obmJc&ab_channel=DokuFestTV%20″ url_new_window=”on” _builder_version=”4.8.1″ link_option_url=”https:\/\/www.youtube.com\/watch?v=_8-l_3obmJc&ab_channel=DokuFestTV ” link_option_url_new_window=”on”]<\/p>\n

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Creo que (Terra Femme) no solo es una manera de mostrar que exist\u00eda una primera tradici\u00f3n de cine de no-ficci\u00f3n hecho por mujeres \u2013que a menudo no se considera en la literatura oficial-, sino que tambi\u00e9n es una manera de alentar la idea que el trabajo hecho de manera no-profesional y no-lucrativa es igual de valioso que los m\u00e9todos glamurosos a la hora de reflejar la est\u00e9tica femenina.<\/p>\n<\/div>\n

[\/et_pb_testimonial][et_pb_button _builder_version=”4.8.1″ _module_preset=”default” button_text=”Ver en Filmin” url_new_window=”on” button_url=”https:\/\/www.filmin.es\/pelicula\/terra-femme” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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