{"id":41410,"date":"2022-05-17T14:51:43","date_gmt":"2022-05-17T13:51:43","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/?post_type=project&p=41410"},"modified":"2022-06-10T12:43:49","modified_gmt":"2022-06-10T11:43:49","slug":"pejzazi-otpora-landscapes-of-resistance","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/pejzazi-otpora-landscapes-of-resistance\/","title":{"rendered":"Pejzaz\u030ci Otpora\/ Landscapes of Resistance"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ locked=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Texto” _builder_version=”4.8.1″]<\/p>\n

> Panor\u00e1mica 2022<\/a><\/p>\n

[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=WHO4B5HkqcI&ab_channel=MostraFilmsdeDones” _builder_version=”4.8.1″ _module_preset=”default”][\/et_pb_video][et_pb_video src=”https:\/\/vimeo.com\/715926628″ _builder_version=”4.8.1″ _module_preset=”default”][\/et_pb_video][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2022\/05\/Landscapes-of-resistance-Web-Film.jpg” title_text=”Landscapes of resistance Web Film” _builder_version=”4.8.1″ _module_preset=”default” width=”100%”][\/et_pb_image][et_pb_text _builder_version=”4.8.1″ _module_preset=”default”]Contacto: jasmina@bocalupofilms.com
\n[\/et_pb_text][et_pb_testimonial author=”Cathy Brennan” company_name=”BFI” url_new_window=”on” _builder_version=”4.8.1″ link_option_url=”https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/landscapes-resistance-sculpts-hope-filled-monument-life-auschwitz-survivor-sonja-vujanovic-marta-popivoda-anti-fascist” link_option_url_new_window=”on”]<\/p>\n

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A pesar de estar recuperando una de las partes m\u00e1s oscuras y trepidantes de la historia desde un punto de vista privilegiado, Landscapes of Resistance destaca por ser un filme esperanzador. Ana Vujanovic (guionista) y Marta Popidova (directora) consiguen su misi\u00f3n de crear un documento digno de su camarader\u00eda.<\/p>\n<\/div>\n

[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

Pejzaz\u030ci Otpora\/ Landscapes of Resistance<\/strong><\/em><\/h4>\n
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Marta Popivoda<\/a>, Serbia, Alemania y Francia, 2021, 96\u2019, VOSE
Estreno en Catalu\u00f1a<\/strong><\/p>\n

Landscapes of Resistance<\/em> recupera la memoria de Sonja Vujanovic, de 97 a\u00f1os, luchadora antifascista, miembro militante de los partisanos yugoslavos y una de las l\u00edderes del movimiento de resistencia en Auschwitz. Con la narraci\u00f3n en voz en off de la misma protagonista, el espectador es transportado a sus recuerdos de la guerra: la gente, los conocidos, los desconocidos, los peque\u00f1os detalles de sus relaciones, c\u00f3mo se organizaban para sobrevivir, para continuar viviendo en medio del horror. Mientras o\u00edmos su voz, la c\u00e1mara viaja a lugares donde la historia hubiera podido ocurrir. El paisaje absorbe la voz de Sonja: hierba y \u00e1rboles, una grieta en la pared, pizarras de un viejo cobertizo de granja, un charco de agua, ciervos pastando en la lejan\u00eda, hasta una chimenea que a\u00fan sigue en pie. Una propuesta f\u00edlmica alejada y contrapuesta a las narrativas androc\u00e9ntricas de los h\u00e9roes y de las guerras como espacios de conquista. Una apuesta para pensar y practicar la resistencia.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider color=”#d43d36″ _builder_version=”4.8.1″ custom_margin=”-7px||-15px|”][\/et_pb_divider][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

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Festivales (selecci\u00f3n)
\n<\/strong>Rotterdam International Film Festival (Pa\u00edses Bajos, 2021)
\nBFI London Film Festival (Reino Unido, 2021)
\nDoclisboa – International Film Festival (Portugal, 2021)
\nZinebi – Festival Internacional de Cine Documental y Cortometraje de Bilbao (Estado espa\u00f1ol, 2021)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_testimonial author=”Marta Popidova” url_new_window=”on” _builder_version=”4.8.1″ link_option_url=”https:\/\/www.youtube.com\/watch?v=S9cF-s0hJHg&t=180s” link_option_url_new_window=”on”]<\/p>\n

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Existe la cuesti\u00f3n de intentar identificar como las mujeres recuerdan la guerra. En el caso de Sonja, vemos que lo que ella m\u00e1s recuerda es la gente \u2013mucha gente fue parte de su viaje. Estos detalles que no son heroicos o hist\u00f3ricos; como la gente se relacionaba entre s\u00ed, como se organizaban para sobrevivir el terror de la guerra\u2026 Estos detalles que son lo que considero la parte femenina de la guerra, los detalles del d\u00eda a d\u00eda y que no se encuentran en los libros de historia, donde hay solo la visi\u00f3n masculina, patriarcal y dominante.<\/p>\n<\/div>\n

[\/et_pb_testimonial][et_pb_button _builder_version=”4.8.1″ _module_preset=”default” button_text=”Ver en Filmin” button_url=”https:\/\/www.filmin.es\/pelicula\/landscapes-of-resistance” url_new_window=”on” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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