{"id":45807,"date":"2022-09-08T15:51:21","date_gmt":"2022-09-08T14:51:21","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/delia\/"},"modified":"2022-12-22T12:58:57","modified_gmt":"2022-12-22T11:58:57","slug":"delia","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/delia\/","title":{"rendered":"Delia"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″]<\/p>\n

> Nuevas creadoras latinoamericanas<\/a><\/p>\n

[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.4.1″ custom_margin=”||-150px|”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2022\/09\/DELIA-2_1172_659.jpg” title_text=”DELIA 2_1172_659″ _builder_version=”4.8.1″ _module_preset=”default” width=”100%”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

Delia<\/strong><\/em><\/h4>\n
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Victoria Pena Echevarr\u00eda<\/a>, Uruguay y Argentina, 2021. 71\u2019.<\/p>\n

Victoria Pena Echevarr\u00eda visitaba una tarde la casa de su amigo Santiago cuando escuch\u00f3 a la madre de \u00e9ste, Delia, preguntarse si hab\u00eda sido feliz alguna vez. La directora cay\u00f3 en la cuenta de que conoc\u00eda a la perfecci\u00f3n la historia del padre de su amigo, represaliado pol\u00edtico penado a once a\u00f1os de c\u00e1rcel durante los a\u00f1os ochenta, pero que nunca se hab\u00eda preguntado acerca de la vida de su madre. Durante esta d\u00e9cada de ausencia, Delia se hab\u00eda dedicado a criar a sus hijos y a escribir poemas que nadie ley\u00f3. La pel\u00edcula hace de estos textos el eje desde el que descubrir aquello que sostienen quienes se quedan en un segundo plano, realizando tareas de poco reconocimiento en el \u00e1mbito pol\u00edtico y de los activismos. Tambi\u00e9n habla sobre la escritura como forma de autoconocimiento y fuente de satisfacci\u00f3n.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.8.1″ custom_margin=”-7px||-15px|”][\/et_pb_divider][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

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Contacto: eolascuaga@gmail.com<\/span><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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