{"id":52903,"date":"2023-04-28T08:20:19","date_gmt":"2023-04-28T07:20:19","guid":{"rendered":"https:\/\/edicionspassades.mostrafilmsdones.cat\/project\/the-watermelon-woman-2\/"},"modified":"2023-06-23T13:52:53","modified_gmt":"2023-06-23T11:52:53","slug":"the-watermelon-woman-2","status":"publish","type":"project","link":"https:\/\/edicionspassades.mostrafilmsdones.cat\/es\/project\/the-watermelon-woman-2\/","title":{"rendered":"The Watermelon Woman"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

> La MIFDB en Filmin<\/a><\/p>\n

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[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.8.1″ _module_preset=”default” custom_margin=”||-150px||false|false”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” locked=”off”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/edicionspassades.mostrafilmsdones.cat\/wp-content\/uploads\/2023\/04\/watermelonwoman2_web.jpg” title_text=”watermelonwoman2_web” align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.8.1″ width=”100%” use_border_color=”off” border_color=”#ffffff” border_style=”solid” animation=”left” sticky=”off”][\/et_pb_image][et_pb_testimonial author=”Chrystel Olouko\u00ef” company_name=”al British Film Institute” url_new_window=”on” _builder_version=”4.8.1″ link_option_url=”https:\/\/www.bfi.org.uk\/features\/watermelon-woman-cheryl-dunye” link_option_url_new_window=”on” locked=”off”]<\/p>\n

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Una investigaci\u00f3n sobre la historia del cine que funciona como una comedia rom\u00e1ntica, <\/em>The Watermelon Woman es un hito deslumbrantemente inventivo del New Queer Cinema y la primera pel\u00edcula estadounidense dirigida por una lesbiana negra.<\/em><\/p>\n<\/div>\n

[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.8.1″ use_border_color=”off”]<\/p>\n

The Watermelon Woman<\/em><\/strong><\/h4>\n
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Cheryl Dune<\/a>, EE.UU., 1996, 90\u2019<\/p>\n

Cheryl (interpretada por la propia directora) es una mujer negra que est\u00e1 realizando un documental sobre Fae Richards, una actriz negra de los a\u00f1os 30 conocida popularmente como The Watermelon Woman. Tambi\u00e9n trabaja en un videoclub. El filme describe las elucubraciones de Cheryl sobre la actriz y pone en escena su excitante historia de amor con Diana, una mujer blanca, cliente habitual de la tienda. La habilidad de la realizadora en hacer confluir estas dos historias convierte a la pel\u00edcula en una estimulante reflexi\u00f3n sobre la representaci\u00f3n de la sexualidad y la raza en el cine y en una invitaci\u00f3n a especular sobre los l\u00edmites entre la ficci\u00f3n y la realidad.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_divider color=”#d43d36″ _builder_version=”4.8.1″ custom_margin=”-7px||-15px|” locked=”off”][\/et_pb_divider][et_pb_text _builder_version=”4.8.1″ use_border_color=”off” locked=”off”]<\/p>\n

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Contacto de distribuci\u00f3n:
<\/strong>booking@janusfilms.com<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.filmin.es\/pelicula\/the-watermelon-woman” url_new_window=”on” button_text=”Ver en Filmin” _builder_version=”4.8.1″ _module_preset=”default”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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